Cartier and Dom Parry Merrell have collaborated on several art projects featuring the exploration of the objects of the human condition. The performance proposed highlights a unique subject, present in many places, a physical image of Sculpture placed on a traditional family home sideboard or sill. A noble ornament or knick-knack for decorating designer furniture sets to bnbs.

The performance shall depict the reborn Greek ancestry tragedies adapted to contemporary life. The performance precedes with a looping length of the life scene, involving objects that represent the concepts of traditions and the myth theory. The intent is to build a vision of the analytical treatment of submission, to verify the existence of classic iconographic, of the myths that were the epic transformation of our plots. Inspired by Aeschylus’ Oresteia, the purpose of this is to engage the audience in an interactive mediation, to be flexible as well as reflective on tradition.

Continuing on from the success of Part 1, performed in London, Part 2 is a deeper dive into the creative forces.